In its 28th year of performance, the Best of Broadway production is still living up to its name. With over 100 dance and vocal performers in vibrant costumes, and elaborate sets, 55 songs from various Broadway musicals were performed at this year?s show called “The Lights on Broadway.”

The cast was remarkable in every way. Each performer was energetic and seemed fully into the performance throughout the whole show. Some of the cast were required to make very fast costume changes, and did so without missing a beat in their following number.

The children?s ensemble was remarkable as well. Each child seemed very sure of themselves and their routine while on stage. Those who sang solos were especially courageous.

Though all the songs were performed with heart and soul, the best set of songs performed were those from “Hot Shoe Shuffle.” Briana DeVol, who sang in “When I Get My Name in Lights,” had a tremendously strong voice and Sara Baggaley and Chad Cornwell had great charisma when performing “Ac-cent-chu-ate The Positive.” All the songs were well choreographed, and the dancers, as well as the singers, shined.

The production would not have been as entertaining if it were not for the different costumes that the performers wore for each song. The costumes made the music come alive with their vivid detail and color and almost all were fitting for what was being performed at the time. These costumes were so well done they looked as if they were made by professional tailors. Surprisingly though, they were not.

“We don?t have professional costume designers,” said Cathy Eilers, assistant managing director. “Our costumes are made by volunteer moms and other volunteers we have.”

The costumes for “The Hunchback of Notre Dame” and “Cats” were the most elaborate. Each cast member looked like they came straight from New York in their costumes. Most impressive, indeed.

The lack of dull moments were most appreciated to keep everyone?s mind off the hard, wooden seats. The performance was so entertaining I forgot about the uncomfortable chairs, until I stood up. Although Hiram Johnson High School provides a large and well-equipped auditorium, the seats could use some cushioning. The more seasoned audience members brought pillows from home, while us first-timers paid the 50 cent rental fee for a foam pad to sit on.

Marilyn Cunningham of Sacramento has been attending Best of Broadway for six years and had a throw pillow from home.

“I brought my pillow so that I could be more comfortable for the show,” Cunningham said. “These hard seats aren?t going to keep me away from this wonderful performance.”

What was most disappointing was the tribute to Rodgers and Hammerstein. Five songs from five terrific musicals were lumped together as the “tribute.” The same costumes, with minor variations, were worn for the songs and not a bit of the set changed.

These are musicals that take place from the Mid West to China. Sailor hats with blue tuxedos hardly shout “South Pacific.” This was unlike “Cats” where only two songs were performed, one a solo, and it had one of the most elaborate sets and costumes of all. I would have liked to have seen more time spent on costume change so that at least the audience could differ from each musical. It was hardly a tribute.

Aside from the seats and the injustice done to the Rodger and Hammerstein, the show really was terrific. There are few places where you will find such a talented and dedicated cast. After 28 years of producing and directing Best of Broadway, I will trust David MacDonald will learn from the shortcomings of this year?s production, only to make next year?s an even greater success.